As part of a remarkably ambitious expansion plan, the UK's Pinewood Studios in Buckinghamshire has applied for a new 100-acre film set representing streets in New York, Paris and Venice, according to theBBC.
Pinewood Shepperton has submitted the application to South Buckinghamshire District Council for Project Pinewood.
The £200m plans would include up to 1,500 homes—a mix of apartments, town and detached houses, a school, theatre, cinema and sports facilities.
Pinewood became famous in the 1950s and 1960s for the 'Bond' and 'Carry On films'.
Recent films coming from the studio include Bond's Quantum of Solace, Brideshead Revisited and The Dark Knight.
"Project Pinewood is the most innovative and forward looking strategic initiative in the UK screen and related industries," said the studio, "designed to achieve economic efficiencies in filming and reduction in carbon emissions."
The development would feature backdrops, including a Venetian canal, a Roman amphitheatre, a Tudor marketplace for period dramas and street scenes from downtown New York, French Quarter New Orleans, and a Chicago suburb. Pinewood said the project would offer directors and production designers a range of streetscapes reproducing the architectural style and atmosphere of the original locations abroad.
The studios said every aspect of the plans would take into account the importance of sustainability, from greener building design to the provision of alternative transport choices.
"Production companies will be able to reduce costs by not having to travel abroad and therefore reduce carbon emissions," it said.
Showing posts with label Tip of the Hat. Show all posts
Showing posts with label Tip of the Hat. Show all posts
Thursday, October 27, 2011
Wednesday, October 12, 2011
George Lucas Apparently Believes the World Will End in 2012
Right. So out of left field we learn today that George Lucas allegedly — and we do say allegedly here because you'll have to carefully consider the source on this — believes that the world will end in 2012…along with the Mayans, half a dozen cults, and anyone else who's dropped acid whilst reading Nostradamus.
Actor Seth Rogen told the Toronto Star that he recently met his filmmaking idol, and after about 25 minutes found himself incredibly confused. No, not because Lucas tried to explain why he's interested in making another Star Wars trilogy, but because he's certain the world will soon end.
You heard us correctly.
Rogen was meeting with Lucas (and Steven Spielberg) to discuss a new movie project when the Star Wars creator apparently dropped the personal belief bombshell.
“George Lucas sits down and seriously proceeds to talk for around 25 minutes about how he thinks the world is gonna end in the year 2012, like, for real. He thinks it," Rogen told the Star. “He’s going on about the tectonic plates and all the time Spielberg is, like, rolling his eyes, like, ’My nerdy friend won’t shut up, I’m sorry.'"
At first Rogen thought Lucas was joking but soon realized he wasn't. He claims he asked Lucas if the filmmaker had built a spaceship and if Rogen could have a seat on it.
“He claimed he didn’t have a spaceship, but there’s no doubt there’s a Millennium Falcon in a garage somewhere with a pilot just waiting to go… It’s gonna be him and Steven Spielberg and I’ll be blown up like the rest of us,” Rogen said.
Surreal experience, or masterful leg pulling…? You be the judge.
On the other hand, perhaps the truly surreal thing here is that Rogen was actually in a meeting with George Lucas and Steven Spielberg about a movie.
We just have one question before you ponder: If Lucas really believes that the world will end next year, then why is he planning more Indiana Jones and Star Wars movies…to say nothing of all the other film and television projects he has in development?
OK…maybe he's not CERTAIN certain.
Actor Seth Rogen told the Toronto Star that he recently met his filmmaking idol, and after about 25 minutes found himself incredibly confused. No, not because Lucas tried to explain why he's interested in making another Star Wars trilogy, but because he's certain the world will soon end.
You heard us correctly.
Rogen was meeting with Lucas (and Steven Spielberg) to discuss a new movie project when the Star Wars creator apparently dropped the personal belief bombshell.
“George Lucas sits down and seriously proceeds to talk for around 25 minutes about how he thinks the world is gonna end in the year 2012, like, for real. He thinks it," Rogen told the Star. “He’s going on about the tectonic plates and all the time Spielberg is, like, rolling his eyes, like, ’My nerdy friend won’t shut up, I’m sorry.'"
At first Rogen thought Lucas was joking but soon realized he wasn't. He claims he asked Lucas if the filmmaker had built a spaceship and if Rogen could have a seat on it.
“He claimed he didn’t have a spaceship, but there’s no doubt there’s a Millennium Falcon in a garage somewhere with a pilot just waiting to go… It’s gonna be him and Steven Spielberg and I’ll be blown up like the rest of us,” Rogen said.
Surreal experience, or masterful leg pulling…? You be the judge.
On the other hand, perhaps the truly surreal thing here is that Rogen was actually in a meeting with George Lucas and Steven Spielberg about a movie.
We just have one question before you ponder: If Lucas really believes that the world will end next year, then why is he planning more Indiana Jones and Star Wars movies…to say nothing of all the other film and television projects he has in development?
OK…maybe he's not CERTAIN certain.
Monday, October 10, 2011
Is Tarnish Dulling Oscar’s Lustre?
Hollywood’s biggest night of the year has come and gone, and it seems many could care less. Last night’s 83rd Annual Academy Awards show wasn’t as dreadful as many critics have charged, but it wasn’t lustrous, either — not the way it has been in decades past — leading many to wonder if the ceremony is: a) losing its relevance; b) compromised by the down economy; c) an indicator of the changing state of both the film and broadcast industry.
The turn of the 21st century has seen the celebrated awards show take a hit. Changes over the past decade seem to have aversely affected the program, including shifting the broadcast from Monday at 9pm to Sunday at 8:30pm in 1999. During the TV writers strike in 2008, just over 32M viewers watched the Oscars, the least viewed ever.
This year the Academy Awards show fell to an 11.7 adults 18-49 rating, down 12% vs. last year’s 13.3 adults 18-49 rating. The average viewership fell to 37.6M viewers, down 9% below last year.
Last night’s ceremony felt more mechanical than usual. Folks showed up and did what they were supposed to do, but with little passion or fanfare. Despite hosts James Franco and Anne Hathaway’s combination of dry humor and goggle-eyed ardor, respectively, the two seemed largely unsuited for hosting duties. Burdened with banal scripted material, the pair managed to inject the show with energy, but little majesty or self-effacing levity.
The two hosts had been recruited to attract a younger viewing audience…you know, the same audience that felt slighted when the ‘In Memoriam’ segment of the awards show failed to honor Corey Haim, the Lost Boys actor who died of pneumonia complications last year at age 38.
Of course, it wasn’t exactly a banner year for mainstream nominations, either, so it’s hard to level blame at either the Academy or ABC. The King’s Speech, which took best picture, director and actor awards, is a great film, but of little interest to the throngs of sub-30 year-old audiences primarily targeted these days. True Grit was good, but overrated. And Black Swan, a personal favorite of yours truly, is powerful, but far too darkly esoteric for mainstream audiences (despite Natalie Portman’s deserved and poignant best actress win).
Are the Academy Awards falling victim to a perfect storm of economic restraints, shifting audience tastes and a changing industry? Let us know what you think below. Meanwhile, the complete list of Oscar nominations and winners follows…
BEST PICTURE:
The King’s Speech (The Weinstein Company), Iain Canning, Emile Sherman and Gareth Unwin, Producers
Black Swan (Fox Searchlight Pictures), Mike Medavoy, Brian Oliver and Scott Franklin, Producers
The Fighter (Paramount Pictures), David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
Inception (Warner Bros. Pictures), Emma Thomas and Christopher Nolan, Producers
The Kids Are All Right (Focus Features), Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
127 Hours (Fox Searchlight Pictures), Christian Colson, Danny Boyle and John Smithson, Producers
The Social Network (Columbia Pictures), Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
Toy Story 3 (Disney•Pixar), Darla K. Anderson, Producer
True Grit (Paramount Pictures), Scott Rudin, Ethan Coen and Joel Coen, Producers
Winter’s Bone (Roadside Attractions), Anne Rosellini and Alix Madigan-Yorkin, Producers
DIRECTING:
Tom Hooper - The King’s Speech (The Weinstein Company)
Darren Aronofsky – Black Swan (Fox Searchlight Pictures)
David O. Russell – The Fighter (Paramount Pictures)
David Fincher – The Social Network (Columbia Pictures)
Joel Coen and Ethan Coen – True Grit (Paramount Pictures)
ACTOR IN A LEADING ROLE:
Colin Firth – The King’s Speech (The Weinstein Company)
Javier Bardem – Biutiful (Roadside Attractions)
Jeff Bridges – True Grit (Paramount Pictures)
Jesse Eisenberg – The Social Network (Columbia Pictures)
James Franco – 127 Hours (Fox Searchlight Pictures)
ACTRESS IN A LEADING ROLE:
Natalie Portman – Black Swan (Fox Searchlight Pictures)
Annette Bening – The Kids Are All Right (Focus Features)
Nicole Kidman – Rabbit Hole (Lionsgate)
Jennifer Lawrence – Winter’s Bone (Roadside Attractions)
Michelle Williams – Blue Valentine (The Weinstein Company)
ACTOR IN A SUPPORTING ROLE:
Christian Bale – The Fighter (Paramount Pictures)
John Hawkes – Winter’s Bone (Roadside Attractions)
Jeremy Renner – The Town (Warner Bros. Pictures)
Mark Ruffalo – The Kids Are All Right (Focus Features)
Geoffrey Rush – The King’s Speech (The Weinstein Company)
ACTRESS IN A SUPPORTING ROLE:
Melissa Leo – The Fighter (Paramount Pictures)
Amy Adams – The Fighter (Paramount Pictures)
Helena Bonham Carter – The King’s Speech (The Weinstein Company)
Hailee Steinfeld – True Grit (Paramount Pictures)
Jacki Weaver – Animal Kingdom (Sony Pictures Classics)
ADAPTED SCREENPLAY:
The Social Network (Columbia Pictures), Screenplay by Aaron Sorkin
127 Hours (Fox Searchlight Pictures), Screenplay by Danny Boyle & Simon Beaufoy
Toy Story 3 (Disney•Pixar), Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit (Paramount Pictures), Written for the screen by Joel Coen & Ethan Coen
Winter’s Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini
ORIGINAL SCREENPLAY:
The King’s Speech (The Weinstein Company), Screenplay by David Seidler
Another Year (Sony Pictures Classics), Written by Mike Leigh
The Fighter (Paramount Pictures), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception (Warner Bros. Pictures), Written by Christopher Nolan
The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
FOREIGN LANGUAGE FILM:
In a Better World (Sony Pictures Classics), Denmark
Biutiful (Roadside Attractions), Mexico
Dogtooth (Kino International), Greece
Incendies (Sony Pictures Classics), Canada
Outside the Law (Hors-la-loi) (Cohen Media Group), Algeria
ANIMATED FEATURE FILM:
strong>
Toy Story 3 (Disney•Pixar), Lee Unkrich
How to Train Your Dragon (DreamWorks Animation), Chris Sanders and Dean DeBlois
The Illusionist (Sony Pictures Classics), Sylvain Chomet
ART DIRECTION:
Alice in Wonderland (Walt Disney Pictures), Production Design: Robert Stromberg; Set Decoration: Karen O’Hara
Harry Potter and the Deathly Hallows – Part 1 (Warner Bros. Pictures), Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
Inception (Warner Bros. Pictures), Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
The King’s Speech (The Weinstein Company), Production Design: Eve Stewart; Set Decoration: Judy Farr
True Grit (Paramount Pictures), Production Design: Jess Gonchor; Set Decoration: Nancy Haigh
CINEMATOGRAPHY:
Inception (Warner Bros. Pictures), Wally Pfister
Black Swan (Fox Searchlight Pictures), Matthew Libatique
The King’s Speech (The Weinstein Company), Danny Cohen
The Social Network (Columbia Pictures), Jeff Cronenweth
True Grit (Paramount Pictures), Roger Deakins
COSTUME DESIGN:
Alice in Wonderland (Walt Disney Pictures), Colleen Atwood
I Am Love (Magnolia Pictures), Antonella Cannarozzi
The King’s Speech (The Weinstein Company), Jenny Beavan
The Tempest (Touchstone Pictures), Sandy Powell
True Grit (Paramount Pictures), Mary Zophres
FILM EDITING:
The Social Network (Columbia Pictures), Angus Wall and Kirk Baxter
Black Swan (Fox Searchlight Pictures), Andrew Weisblum
The Fighter (Paramount Pictures), Pamela Martin
The King’s Speech (The Weinstein Company), Tariq Anwar
127 Hours (Fox Searchlight Pictures), Jon Harris
DOCUMENTARY FEATURE:
Inside Job (Sony Pictures Classics), Charles Ferguson and Audrey Marrs
Exit Through the Gift Shop (Producers Distribution Agency, Banksy and Jaimie D’Cruz
Gasland (Rooftop Films), Josh Fox and Trish Adlesic
Restrepo (National Geographic Entertainment), Tim Hetherington and Sebastian Junger
Waste Land (Arthouse Films), Lucy Walker and Angus Aynsley
MAKEUP:
The Wolfman (Universal Pictures), Rick Baker and Dave Elsey
Barney’s Version (Sony Pictures Classics), Adrien Morot
The Way Back (Newmarket Films), Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
ORIGINAL SCORE:
The Social Network (Columbia Pictures), Trent Reznor and Atticus Ross
How to Train Your Dragon (DreamWorks Animation), John Powell
Inception (Warner Bros. Pictures), Hans Zimmer
The King’s Speech (The Weinstein Company), Alexandre Desplat
127 Hours (Fox Searchlight Pictures), A.R. Rahman
ORIGINAL SONG:
“We Belong Together” from Toy Story 3 (Disney•Pixar), Music and Lyric by Randy Newman
“Coming Home” from Country Strong (Screen Gems), Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
“I See the Light” from Tangled (Walt Disney Pictures), Music by Alan Menken Lyric by Glenn Slater
“If I Rise” from 127 Hours (Fox Searchlight Pictures), Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
SOUND MIXING:
Inception (Warner Bros. Pictures), Lora Hirschberg, Gary A. Rizzo and Ed Novick
The King’s Speech (The Weinstein Company), Paul Hamblin, Martin Jensen and John Midgley
Salt (Columbia Pictures), Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
The Social Network (Columbia Pictures), Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
True Grit (Paramount Pictures), Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland
SOUND EDITING:
Inception (Warner Bros. Pictures), Richard King
Toy Story 3 (Disney•Pixar), Tom Myers and Michael Silvers
TRON: Legacy (Walt Disney Pictures), Gwendolyn Yates Whittle and Addison Teague
True Grit (Paramount Pictures), Skip Lievsay and Craig Berkey
Unstoppable (20th Century Fox), Mark P. Stoeckinger
VISUAL EFFECTS:
Inception (Warner Bros. Pictures), Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Alice in Wonderland (Walt Disney Pictures), Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows – Part 1 (Warner Bros. Pictures), Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter (Warner Bros. Pictures), Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Iron Man 2 (Paramount Pictures, Marvel Studios), Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick
DOCUMENTARY SHORT:
Strangers No More, Karen Goodman and Kirk Simon
Killing in the Name, Jed Rothstein
Poster Girl, Sara Nesson and Mitchell W. Block
Sun Come Up, Jennifer Redfearn and Tim Metzger
The Warriors of Qiugang, Ruby Yang and Thomas Lennon
ANIMATED SHORT FILM:
The Lost Thing, Shaun Tan and Andrew Ruhemann
Day & Night, Teddy Newton
The Gruffalo, Jakob Schuh and Max Lang
Let’s Pollute, Geefwee Boedoe
Madagascar, carnet de voyage (Madagascar, a Journey Diary), Bastien Dubois
LIVE ACTION SHORT FILM:
God of Love, Luke Matheny
The Confession, Tanel Toom
The Crush, Michael Creagh
Na Wewe, Ivan Goldschmidt
Wish 143, Ian Barnes and Samantha Waite
The turn of the 21st century has seen the celebrated awards show take a hit. Changes over the past decade seem to have aversely affected the program, including shifting the broadcast from Monday at 9pm to Sunday at 8:30pm in 1999. During the TV writers strike in 2008, just over 32M viewers watched the Oscars, the least viewed ever.
This year the Academy Awards show fell to an 11.7 adults 18-49 rating, down 12% vs. last year’s 13.3 adults 18-49 rating. The average viewership fell to 37.6M viewers, down 9% below last year.
Last night’s ceremony felt more mechanical than usual. Folks showed up and did what they were supposed to do, but with little passion or fanfare. Despite hosts James Franco and Anne Hathaway’s combination of dry humor and goggle-eyed ardor, respectively, the two seemed largely unsuited for hosting duties. Burdened with banal scripted material, the pair managed to inject the show with energy, but little majesty or self-effacing levity.
The two hosts had been recruited to attract a younger viewing audience…you know, the same audience that felt slighted when the ‘In Memoriam’ segment of the awards show failed to honor Corey Haim, the Lost Boys actor who died of pneumonia complications last year at age 38.
Of course, it wasn’t exactly a banner year for mainstream nominations, either, so it’s hard to level blame at either the Academy or ABC. The King’s Speech, which took best picture, director and actor awards, is a great film, but of little interest to the throngs of sub-30 year-old audiences primarily targeted these days. True Grit was good, but overrated. And Black Swan, a personal favorite of yours truly, is powerful, but far too darkly esoteric for mainstream audiences (despite Natalie Portman’s deserved and poignant best actress win).
Are the Academy Awards falling victim to a perfect storm of economic restraints, shifting audience tastes and a changing industry? Let us know what you think below. Meanwhile, the complete list of Oscar nominations and winners follows…
BEST PICTURE:
The King’s Speech (The Weinstein Company), Iain Canning, Emile Sherman and Gareth Unwin, Producers
Black Swan (Fox Searchlight Pictures), Mike Medavoy, Brian Oliver and Scott Franklin, Producers
The Fighter (Paramount Pictures), David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
Inception (Warner Bros. Pictures), Emma Thomas and Christopher Nolan, Producers
The Kids Are All Right (Focus Features), Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
127 Hours (Fox Searchlight Pictures), Christian Colson, Danny Boyle and John Smithson, Producers
The Social Network (Columbia Pictures), Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
Toy Story 3 (Disney•Pixar), Darla K. Anderson, Producer
True Grit (Paramount Pictures), Scott Rudin, Ethan Coen and Joel Coen, Producers
Winter’s Bone (Roadside Attractions), Anne Rosellini and Alix Madigan-Yorkin, Producers
DIRECTING:
Tom Hooper - The King’s Speech (The Weinstein Company)
Darren Aronofsky – Black Swan (Fox Searchlight Pictures)
David O. Russell – The Fighter (Paramount Pictures)
David Fincher – The Social Network (Columbia Pictures)
Joel Coen and Ethan Coen – True Grit (Paramount Pictures)
ACTOR IN A LEADING ROLE:
Colin Firth – The King’s Speech (The Weinstein Company)
Javier Bardem – Biutiful (Roadside Attractions)
Jeff Bridges – True Grit (Paramount Pictures)
Jesse Eisenberg – The Social Network (Columbia Pictures)
James Franco – 127 Hours (Fox Searchlight Pictures)
ACTRESS IN A LEADING ROLE:
Natalie Portman – Black Swan (Fox Searchlight Pictures)
Annette Bening – The Kids Are All Right (Focus Features)
Nicole Kidman – Rabbit Hole (Lionsgate)
Jennifer Lawrence – Winter’s Bone (Roadside Attractions)
Michelle Williams – Blue Valentine (The Weinstein Company)
ACTOR IN A SUPPORTING ROLE:
Christian Bale – The Fighter (Paramount Pictures)
John Hawkes – Winter’s Bone (Roadside Attractions)
Jeremy Renner – The Town (Warner Bros. Pictures)
Mark Ruffalo – The Kids Are All Right (Focus Features)
Geoffrey Rush – The King’s Speech (The Weinstein Company)
ACTRESS IN A SUPPORTING ROLE:
Melissa Leo – The Fighter (Paramount Pictures)
Amy Adams – The Fighter (Paramount Pictures)
Helena Bonham Carter – The King’s Speech (The Weinstein Company)
Hailee Steinfeld – True Grit (Paramount Pictures)
Jacki Weaver – Animal Kingdom (Sony Pictures Classics)
ADAPTED SCREENPLAY:
The Social Network (Columbia Pictures), Screenplay by Aaron Sorkin
127 Hours (Fox Searchlight Pictures), Screenplay by Danny Boyle & Simon Beaufoy
Toy Story 3 (Disney•Pixar), Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit (Paramount Pictures), Written for the screen by Joel Coen & Ethan Coen
Winter’s Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini
ORIGINAL SCREENPLAY:
The King’s Speech (The Weinstein Company), Screenplay by David Seidler
Another Year (Sony Pictures Classics), Written by Mike Leigh
The Fighter (Paramount Pictures), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception (Warner Bros. Pictures), Written by Christopher Nolan
The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
FOREIGN LANGUAGE FILM:
In a Better World (Sony Pictures Classics), Denmark
Biutiful (Roadside Attractions), Mexico
Dogtooth (Kino International), Greece
Incendies (Sony Pictures Classics), Canada
Outside the Law (Hors-la-loi) (Cohen Media Group), Algeria
ANIMATED FEATURE FILM:
strong>
Toy Story 3 (Disney•Pixar), Lee Unkrich
How to Train Your Dragon (DreamWorks Animation), Chris Sanders and Dean DeBlois
The Illusionist (Sony Pictures Classics), Sylvain Chomet
ART DIRECTION:
Alice in Wonderland (Walt Disney Pictures), Production Design: Robert Stromberg; Set Decoration: Karen O’Hara
Harry Potter and the Deathly Hallows – Part 1 (Warner Bros. Pictures), Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
Inception (Warner Bros. Pictures), Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
The King’s Speech (The Weinstein Company), Production Design: Eve Stewart; Set Decoration: Judy Farr
True Grit (Paramount Pictures), Production Design: Jess Gonchor; Set Decoration: Nancy Haigh
CINEMATOGRAPHY:
Inception (Warner Bros. Pictures), Wally Pfister
Black Swan (Fox Searchlight Pictures), Matthew Libatique
The King’s Speech (The Weinstein Company), Danny Cohen
The Social Network (Columbia Pictures), Jeff Cronenweth
True Grit (Paramount Pictures), Roger Deakins
COSTUME DESIGN:
Alice in Wonderland (Walt Disney Pictures), Colleen Atwood
I Am Love (Magnolia Pictures), Antonella Cannarozzi
The King’s Speech (The Weinstein Company), Jenny Beavan
The Tempest (Touchstone Pictures), Sandy Powell
True Grit (Paramount Pictures), Mary Zophres
FILM EDITING:
The Social Network (Columbia Pictures), Angus Wall and Kirk Baxter
Black Swan (Fox Searchlight Pictures), Andrew Weisblum
The Fighter (Paramount Pictures), Pamela Martin
The King’s Speech (The Weinstein Company), Tariq Anwar
127 Hours (Fox Searchlight Pictures), Jon Harris
DOCUMENTARY FEATURE:
Inside Job (Sony Pictures Classics), Charles Ferguson and Audrey Marrs
Exit Through the Gift Shop (Producers Distribution Agency, Banksy and Jaimie D’Cruz
Gasland (Rooftop Films), Josh Fox and Trish Adlesic
Restrepo (National Geographic Entertainment), Tim Hetherington and Sebastian Junger
Waste Land (Arthouse Films), Lucy Walker and Angus Aynsley
MAKEUP:
The Wolfman (Universal Pictures), Rick Baker and Dave Elsey
Barney’s Version (Sony Pictures Classics), Adrien Morot
The Way Back (Newmarket Films), Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
ORIGINAL SCORE:
The Social Network (Columbia Pictures), Trent Reznor and Atticus Ross
How to Train Your Dragon (DreamWorks Animation), John Powell
Inception (Warner Bros. Pictures), Hans Zimmer
The King’s Speech (The Weinstein Company), Alexandre Desplat
127 Hours (Fox Searchlight Pictures), A.R. Rahman
ORIGINAL SONG:
“We Belong Together” from Toy Story 3 (Disney•Pixar), Music and Lyric by Randy Newman
“Coming Home” from Country Strong (Screen Gems), Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
“I See the Light” from Tangled (Walt Disney Pictures), Music by Alan Menken Lyric by Glenn Slater
“If I Rise” from 127 Hours (Fox Searchlight Pictures), Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
SOUND MIXING:
Inception (Warner Bros. Pictures), Lora Hirschberg, Gary A. Rizzo and Ed Novick
The King’s Speech (The Weinstein Company), Paul Hamblin, Martin Jensen and John Midgley
Salt (Columbia Pictures), Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
The Social Network (Columbia Pictures), Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
True Grit (Paramount Pictures), Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland
SOUND EDITING:
Inception (Warner Bros. Pictures), Richard King
Toy Story 3 (Disney•Pixar), Tom Myers and Michael Silvers
TRON: Legacy (Walt Disney Pictures), Gwendolyn Yates Whittle and Addison Teague
True Grit (Paramount Pictures), Skip Lievsay and Craig Berkey
Unstoppable (20th Century Fox), Mark P. Stoeckinger
VISUAL EFFECTS:
Inception (Warner Bros. Pictures), Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Alice in Wonderland (Walt Disney Pictures), Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows – Part 1 (Warner Bros. Pictures), Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter (Warner Bros. Pictures), Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Iron Man 2 (Paramount Pictures, Marvel Studios), Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick
DOCUMENTARY SHORT:
Strangers No More, Karen Goodman and Kirk Simon
Killing in the Name, Jed Rothstein
Poster Girl, Sara Nesson and Mitchell W. Block
Sun Come Up, Jennifer Redfearn and Tim Metzger
The Warriors of Qiugang, Ruby Yang and Thomas Lennon
ANIMATED SHORT FILM:
The Lost Thing, Shaun Tan and Andrew Ruhemann
Day & Night, Teddy Newton
The Gruffalo, Jakob Schuh and Max Lang
Let’s Pollute, Geefwee Boedoe
Madagascar, carnet de voyage (Madagascar, a Journey Diary), Bastien Dubois
LIVE ACTION SHORT FILM:
God of Love, Luke Matheny
The Confession, Tanel Toom
The Crush, Michael Creagh
Na Wewe, Ivan Goldschmidt
Wish 143, Ian Barnes and Samantha Waite
Thursday, October 6, 2011
Today would have been celebration galore
Today would have been celebration galore for most fans of Emeka Ike that stormed the Federal High court premises for the final verdict on who the authentic AGN president really is but that didn't come to be as the judge again strike out the case on technical grounds.
A disappointed Emeka Ike definitely not happy with the judge's decision left the court premises in annoyance and when he came out to his fans, he told them in these words " You guys should wait as i have been asked to go get some document and will be back in not less than 1 hour". This didn't happen as several hours later Emeka Ike the Maradona never showed up and calls to his mobile phone by some of his fans were returned unanswered. Well the bottom line is that Segun Arinze who is the AGN president the Industry knows is still in charge and will still be for a very long time to come. Is there hope for Emeka Ike in this legal battle? Some people say why is he not concentrating his energy on the growth of his private school and many other businesses? Why AGN; what is it that is not done right at the Guild that he wants to fix? Well over to you o my brother from another mother. We were told that the AGN president Segun Arinze or his lawyer were not at the sitting.
A disappointed Emeka Ike definitely not happy with the judge's decision left the court premises in annoyance and when he came out to his fans, he told them in these words " You guys should wait as i have been asked to go get some document and will be back in not less than 1 hour". This didn't happen as several hours later Emeka Ike the Maradona never showed up and calls to his mobile phone by some of his fans were returned unanswered. Well the bottom line is that Segun Arinze who is the AGN president the Industry knows is still in charge and will still be for a very long time to come. Is there hope for Emeka Ike in this legal battle? Some people say why is he not concentrating his energy on the growth of his private school and many other businesses? Why AGN; what is it that is not done right at the Guild that he wants to fix? Well over to you o my brother from another mother. We were told that the AGN president Segun Arinze or his lawyer were not at the sitting.
Tuesday, September 27, 2011
Multiple-award winning singer
Multiple-award winning singer, Tuface Idibia, has said he is not going to marry again.
Tu Baba, as he is fondly called, told Life and Beat, “I’m not going to get married. Did I tell you I was getting married?” When asked why he said he wasn’t getting married, he replied, “Do you even know if I’m married?”
His marital status notwithstanding, the guy is busy adding more feathers to his cap. And it looks as if this is time for more endorsements.
Not too long ago, Airtel made him one of the brand’s ambassadors. The National Agency for Food and Drugs Administration and Control has also made the African Queen crooner its ambassador.
He recently recorded a theme song for FASPAC (Fake And Sub-standard Products Awareness Campaign) project being spearheaded by Hypertek/Now Muzik in collaboration with Promotie, with the support of NAFDAC.
The single, Man Unkind, produced by J. Sleek, and the accompanying video directed by Emma Gecko for Buckwyld Media Network, was shown to a select few at a media launch in Lagos earlier in the week.
Tuface said he didn’t collect a dime from NAFDAC to produce the song.
“This is just my own contribution to create awareness on substandard and fake drugs. The menace of fake drugs and sub-standard edible products is one evil every Nigerian has a responsibility to fight for obvious reasons. People involved in the trade are merchants of death and their targets are us – ourselves, family, friends, colleagues, neighbours and compatriots,” the singer/song writer said.
TuFace played an active role alongside Gen. Yakubu Gowon in earning Nigeria a WHO guinea-worn free certification. He is currently involved in mass awareness and fund raiser for Little Big Souls – the foremost not-for-profit organisation dedicated to the care of children born prematurely across Africa.
Tu Baba, as he is fondly called, told Life and Beat, “I’m not going to get married. Did I tell you I was getting married?” When asked why he said he wasn’t getting married, he replied, “Do you even know if I’m married?”
His marital status notwithstanding, the guy is busy adding more feathers to his cap. And it looks as if this is time for more endorsements.
Not too long ago, Airtel made him one of the brand’s ambassadors. The National Agency for Food and Drugs Administration and Control has also made the African Queen crooner its ambassador.
He recently recorded a theme song for FASPAC (Fake And Sub-standard Products Awareness Campaign) project being spearheaded by Hypertek/Now Muzik in collaboration with Promotie, with the support of NAFDAC.
The single, Man Unkind, produced by J. Sleek, and the accompanying video directed by Emma Gecko for Buckwyld Media Network, was shown to a select few at a media launch in Lagos earlier in the week.
Tuface said he didn’t collect a dime from NAFDAC to produce the song.
“This is just my own contribution to create awareness on substandard and fake drugs. The menace of fake drugs and sub-standard edible products is one evil every Nigerian has a responsibility to fight for obvious reasons. People involved in the trade are merchants of death and their targets are us – ourselves, family, friends, colleagues, neighbours and compatriots,” the singer/song writer said.
TuFace played an active role alongside Gen. Yakubu Gowon in earning Nigeria a WHO guinea-worn free certification. He is currently involved in mass awareness and fund raiser for Little Big Souls – the foremost not-for-profit organisation dedicated to the care of children born prematurely across Africa.
Sunday, September 25, 2011
I Started As Musician -Dakore Egbuson
Dakore Egbuson, versatile actress, was recently in Kenya where she spoke about how she started. Excerpts:
What was your childhood like?
I was born in Lagos on 14 October, 1978. My childhood was sheltered, blissful and exciting. I was quite popular, outgoing and highly artistic. Altogether, we were 10 children.
I’ve been privileged to attend some of the best schools in Nigeria. I attended prestigious primary and high schools and then I went on to study Mass Communication at the University of Lagos.
Did you always want to be an actress?
Actually, I knew I had a passion for the performing arts, specifically music, but it must have been God’s will that I would become an actor and I have no regrets. It was a talent I discovered later in life.
The desire was there from childhood. I studied music and took up the flute and became very good at it. Being on stage performing was very natural and I wasn’t shy either. I am very fortunate I had wonderfully indulgent parents and teachers.
How many films have you been featured in? Any favourite?
I started out professionally on television, then movies in 1998, so, it’s been 12 years. I’ve been in about 60 movies. Picking a favourite is difficult, so I’ll pick a few — Silent tears, Emotional crack, Caught in the middle.
What does your daily schedule entail?
No day is ever the same but every morning, I say my prayers, have some green tea and I get set for the day.
These days, I mostly have photo shoots, meetings, interviews. I also make time to catch up with family and friends in between, so it gets pretty hectic, but it’s mostly fun.
Any album you have released so far?
I released a single about two years ago to let people have an idea of where I’m coming from musically. I started out on television in Nigeria hosting sports and music programmes; I briefly worked with BEN TV, London. Right now, I’m working on my talk show -The Dakore Show.
I modelled on and off earlier in my career, more as a side gig and then recently became brand ambassador for Amstel Malta, which is a big deal and has been very fulfilling.
Has your life changed since you became famous?
It’s been a roller coaster ride, but I wouldn’t trade the entire experience for anything. I’m grateful for the immense love and support I constantly get from my fans. In other ways as well I haven’t changed who I am essentially.
How many movies do you get to shoot yearly?
When I was very active, maybe 15 on average per year but for now I’m holding out for that one great masterpiece, so watch out for me.
What are some of the challenges you face as an actress on a daily basis?
There are so many challenges as with everything else in life. From the loss of anonymity, technical difficulties, competition within the industry itself, piracy, stress of shooting in such a short space of time and even funding.
What are some of the highlights of your career?
I’d say being able to positively affect a wide spectrum of people through my performances. I’ve been honoured to receive a lot of memorable awards.
One that stood out was given to me and a few of my colleagues in Hollywood by the African Times publication and winning Best African Actress at The Brazilian Film Festival in New York for Before the Sunrise. On home soil, the City People Award for Best Actress was another feather in my cap.
Are you seeing anyone?
I am happily married. I got married in January this year to Olumide Akande.
Do you face the challenge of piracy in Nollywood?
We have serious issues with piracy and our government is trying to deal with it bearing in mind that this is now a global issue.
So, how much do you get paid per film?
Depending on the situation, it can range from $1,000 (N150,000) to $20,000 (N3 million) or even more.
How do you give back to the society?
I am an ambassador/spokesperson for Oxfam America/ Amnesty International in the campaign for the control of arms; I support various orphanages, cervical and breast cancer awareness to mention a few. I find it so fulfilling to support these causes.
How do you relax when you are not working?
I love to escape by travelling, being at the beach, listening to music and chilling with loved ones.
Which actors do you look up to the most, in the filming industry?
In Nigeria, I admire Olu and Joke Jacobs. Internationally, Angela Bassett, Angelina Jolie and Kevin Spacey.
What was your childhood like?
I was born in Lagos on 14 October, 1978. My childhood was sheltered, blissful and exciting. I was quite popular, outgoing and highly artistic. Altogether, we were 10 children.
I’ve been privileged to attend some of the best schools in Nigeria. I attended prestigious primary and high schools and then I went on to study Mass Communication at the University of Lagos.
Did you always want to be an actress?
Actually, I knew I had a passion for the performing arts, specifically music, but it must have been God’s will that I would become an actor and I have no regrets. It was a talent I discovered later in life.
The desire was there from childhood. I studied music and took up the flute and became very good at it. Being on stage performing was very natural and I wasn’t shy either. I am very fortunate I had wonderfully indulgent parents and teachers.
How many films have you been featured in? Any favourite?
I started out professionally on television, then movies in 1998, so, it’s been 12 years. I’ve been in about 60 movies. Picking a favourite is difficult, so I’ll pick a few — Silent tears, Emotional crack, Caught in the middle.
What does your daily schedule entail?
No day is ever the same but every morning, I say my prayers, have some green tea and I get set for the day.
These days, I mostly have photo shoots, meetings, interviews. I also make time to catch up with family and friends in between, so it gets pretty hectic, but it’s mostly fun.
Any album you have released so far?
I released a single about two years ago to let people have an idea of where I’m coming from musically. I started out on television in Nigeria hosting sports and music programmes; I briefly worked with BEN TV, London. Right now, I’m working on my talk show -The Dakore Show.
I modelled on and off earlier in my career, more as a side gig and then recently became brand ambassador for Amstel Malta, which is a big deal and has been very fulfilling.
Has your life changed since you became famous?
It’s been a roller coaster ride, but I wouldn’t trade the entire experience for anything. I’m grateful for the immense love and support I constantly get from my fans. In other ways as well I haven’t changed who I am essentially.
How many movies do you get to shoot yearly?
When I was very active, maybe 15 on average per year but for now I’m holding out for that one great masterpiece, so watch out for me.
What are some of the challenges you face as an actress on a daily basis?
There are so many challenges as with everything else in life. From the loss of anonymity, technical difficulties, competition within the industry itself, piracy, stress of shooting in such a short space of time and even funding.
What are some of the highlights of your career?
I’d say being able to positively affect a wide spectrum of people through my performances. I’ve been honoured to receive a lot of memorable awards.
One that stood out was given to me and a few of my colleagues in Hollywood by the African Times publication and winning Best African Actress at The Brazilian Film Festival in New York for Before the Sunrise. On home soil, the City People Award for Best Actress was another feather in my cap.
Are you seeing anyone?
I am happily married. I got married in January this year to Olumide Akande.
Do you face the challenge of piracy in Nollywood?
We have serious issues with piracy and our government is trying to deal with it bearing in mind that this is now a global issue.
So, how much do you get paid per film?
Depending on the situation, it can range from $1,000 (N150,000) to $20,000 (N3 million) or even more.
How do you give back to the society?
I am an ambassador/spokesperson for Oxfam America/ Amnesty International in the campaign for the control of arms; I support various orphanages, cervical and breast cancer awareness to mention a few. I find it so fulfilling to support these causes.
How do you relax when you are not working?
I love to escape by travelling, being at the beach, listening to music and chilling with loved ones.
Which actors do you look up to the most, in the filming industry?
In Nigeria, I admire Olu and Joke Jacobs. Internationally, Angela Bassett, Angelina Jolie and Kevin Spacey.
Thursday, September 22, 2011
Ted Haggard to appear on wife swap television show
COLORADO SPRINGS, Colorado (AP) — Former megachurch pastor Ted Haggard and Hollywood actor Gary Busey are trading partners for a week for an upcoming edition of ABC-TV's "Celebrity Wife Swap."
Haggard's wife Gayle will temporarily move in with Busey. It was unclear if the actor's longtime girlfriend would be the one to stay with Haggard under the arrangement.
Haggard's New Life Church in Colorado Springs had about 14,000 followers when he resigned in 2006 after a man said Haggard paid him for sex for more than three years. The reality show isn't about infidelity, but about wives experiencing daily life in another wife's home.
The Denver Post says the network and the production company confirmed the program plans.
Haggard's wife Gayle will temporarily move in with Busey. It was unclear if the actor's longtime girlfriend would be the one to stay with Haggard under the arrangement.
Haggard's New Life Church in Colorado Springs had about 14,000 followers when he resigned in 2006 after a man said Haggard paid him for sex for more than three years. The reality show isn't about infidelity, but about wives experiencing daily life in another wife's home.
The Denver Post says the network and the production company confirmed the program plans.
Tuesday, September 20, 2011
NBC wins last ratings week before the new season
NEW YORK (AP) — Sunday night football and the climax of "America's Got Talent" led NBC to victory in the week before the fall television season's official start.
The most-watched prime-time shows on two broadcast networks last week were football games: the Sunday night NFL matchup between Philadelphia and Atlanta on NBC, and Saturday's college game pitting Florida State and Oklahoma on ABC, the Nielsen Co. said Tuesday. The NFL game was the week's most popular program by far.
There were a couple of attempts to get a jump on the new fall season. NBC showed its new sitcom "Up All Night" after the season finale of "America's Got Talent" and was rewarded with a heavy sampling of nearly 11 million viewers. The comedy "Free Agents" was less successful 30 minutes later with 6.1 million viewers, Nielsen said.
Beauty pageants no longer have much interest among audiences. The 5.3 million who saw the Miss Universe contest on NBC ranked below a rerun of "America's Funniest Home Videos" on ABC.
For the week, NBC averaged 8.2 million viewers (5.2 rating, 9 share), CBS had 7.1 million (4.6, 8), ABC had 5.9 million (3.8, 6), Fox had 4.8 million (3.1, 5), the CW had 1.9 million (1.3, 2) and ION Television had 1.2 million (0.8, 1).
Among the Spanish-language networks, Univision led with a 3.7 million average (2.0 rating, 3 share), Telemundo had 1.1 million (0.6, 1), TeleFutura had 410,000 (0.2, 0), Azteca had 200,000 and Estrella 170,000 (both 0.1, 0).
NBC's "Nightly News" topped the evening newscasts with an average of 8.2 million viewers (5.5, 11). ABC's "World News" was second with 7.2 million (4.9, 10) and the "CBS Evening News" had 5.7 million viewers (3.9, 8).
A ratings point represents 1,147,000 households, or 1 percent of the nation's estimated 114.7 million TV homes. The share is the percentage of in-use televisions tuned to a given show.
For the week of Sept. 12-18, the top 10 shows, their networks and viewerships: 1. NFL Football: Philadelphia at Atlanta, NBC, 23.42 million; "Sunday Night NFL Pre-Kick," NBC, 18.3 million; "America's Got Talent" (Wednesday), NBC, 14.37 million; "America's Got Talent" (Tuesday), NBC, 13.67 million. "Football Night in America, Part Three," NBC, 13.39 million; "60 Minutes," CBS, 12.48 million; "Emmy Awards," Fox, 12.44 million; "Up All Night," NBC, 10.95 million; "Survivor: South Pacific," CBS, 10.74 million; "NCIS," CBS, 10.26 million.
___
ABC is owned by The Walt Disney Co. CBS is owned by CBS Corp. CW is a joint venture of Warner Bros. Entertainment and CBS Corp. Fox and My Network TV are units of News Corp. NBC and Telemundo are owned by Comcast Corp. ION Television is owned by ION Media Networks. TeleFutura is a division of Univision. Azteca America is a wholly owned subsidiary of TV Azteca S.A. de C.V.
The most-watched prime-time shows on two broadcast networks last week were football games: the Sunday night NFL matchup between Philadelphia and Atlanta on NBC, and Saturday's college game pitting Florida State and Oklahoma on ABC, the Nielsen Co. said Tuesday. The NFL game was the week's most popular program by far.
There were a couple of attempts to get a jump on the new fall season. NBC showed its new sitcom "Up All Night" after the season finale of "America's Got Talent" and was rewarded with a heavy sampling of nearly 11 million viewers. The comedy "Free Agents" was less successful 30 minutes later with 6.1 million viewers, Nielsen said.
Beauty pageants no longer have much interest among audiences. The 5.3 million who saw the Miss Universe contest on NBC ranked below a rerun of "America's Funniest Home Videos" on ABC.
For the week, NBC averaged 8.2 million viewers (5.2 rating, 9 share), CBS had 7.1 million (4.6, 8), ABC had 5.9 million (3.8, 6), Fox had 4.8 million (3.1, 5), the CW had 1.9 million (1.3, 2) and ION Television had 1.2 million (0.8, 1).
Among the Spanish-language networks, Univision led with a 3.7 million average (2.0 rating, 3 share), Telemundo had 1.1 million (0.6, 1), TeleFutura had 410,000 (0.2, 0), Azteca had 200,000 and Estrella 170,000 (both 0.1, 0).
NBC's "Nightly News" topped the evening newscasts with an average of 8.2 million viewers (5.5, 11). ABC's "World News" was second with 7.2 million (4.9, 10) and the "CBS Evening News" had 5.7 million viewers (3.9, 8).
A ratings point represents 1,147,000 households, or 1 percent of the nation's estimated 114.7 million TV homes. The share is the percentage of in-use televisions tuned to a given show.
For the week of Sept. 12-18, the top 10 shows, their networks and viewerships: 1. NFL Football: Philadelphia at Atlanta, NBC, 23.42 million; "Sunday Night NFL Pre-Kick," NBC, 18.3 million; "America's Got Talent" (Wednesday), NBC, 14.37 million; "America's Got Talent" (Tuesday), NBC, 13.67 million. "Football Night in America, Part Three," NBC, 13.39 million; "60 Minutes," CBS, 12.48 million; "Emmy Awards," Fox, 12.44 million; "Up All Night," NBC, 10.95 million; "Survivor: South Pacific," CBS, 10.74 million; "NCIS," CBS, 10.26 million.
___
ABC is owned by The Walt Disney Co. CBS is owned by CBS Corp. CW is a joint venture of Warner Bros. Entertainment and CBS Corp. Fox and My Network TV are units of News Corp. NBC and Telemundo are owned by Comcast Corp. ION Television is owned by ION Media Networks. TeleFutura is a division of Univision. Azteca America is a wholly owned subsidiary of TV Azteca S.A. de C.V.
Friday, September 16, 2011
My Life Is Like Charlie Sheen’s
When we hear the name “Charlie Sheen” we can’t help but think of goddesses, Adonis DNA, briefcases full of cocaine and all-round bad behavior. However, boxer-turned-actor Mike Tyson claims to lead a lifestyle similar to that of the fired sitcom star.
“I don’t envy anything about his life, my life is pretty much parallel to his,” Tyson told FOX411’s Pop Tarts column ahead of Comedy Central’s “Charlie Sheen Roasting” in Los Angeles over the weekend. “I don’t envy him.”
In fact, Tyson’s own wild ways are soon set to become small screen fodder as he’s teamed up to co-produce with Entourage’s Doug Ellin for a HBO scripted drama about a young boxer growing up in New Jersey, loosely based on Tyson’s tumultuous life.
“The show is going to be all about me… following me around as a kid, going to the gym, getting into trouble, getting people pregnant, unwed mothers, all that s**t, having babies out of wedlock all the f**king time, getting up to stuff before fights, all that stuff,” he continued.
But in the present-day Tyson household, only girly viewing is allowed.
“My wife makes me watch all that ‘Housewives’ and ‘Kardashians’ BS. I have to watch the Kardashians, my wife will kill me if I don’t,” he explained.
That's the best reason we've heard of.
“I don’t envy anything about his life, my life is pretty much parallel to his,” Tyson told FOX411’s Pop Tarts column ahead of Comedy Central’s “Charlie Sheen Roasting” in Los Angeles over the weekend. “I don’t envy him.”
In fact, Tyson’s own wild ways are soon set to become small screen fodder as he’s teamed up to co-produce with Entourage’s Doug Ellin for a HBO scripted drama about a young boxer growing up in New Jersey, loosely based on Tyson’s tumultuous life.
“The show is going to be all about me… following me around as a kid, going to the gym, getting into trouble, getting people pregnant, unwed mothers, all that s**t, having babies out of wedlock all the f**king time, getting up to stuff before fights, all that stuff,” he continued.
But in the present-day Tyson household, only girly viewing is allowed.
“My wife makes me watch all that ‘Housewives’ and ‘Kardashians’ BS. I have to watch the Kardashians, my wife will kill me if I don’t,” he explained.
That's the best reason we've heard of.
Olivia Wilde shoots down romance rumors, gives advice to young actresses
Olivia Wilde has quickly become one of the hottest women in Hollywood.
The “Cowboys and Aliens” star is on the October cover of Allure magazine, where she opens up about her divorce, making out with Mischa Barton and all those pesky rumors about who she is dating.
On rumors about her dating life:
“In order to be dating all the people they think I am, I’d need four vaginas! It’s impossible!”
On her favorite beauty products:
“I steal from makeup artists a lot.”
On kissing Mischa Barton on “The O.C.”:
“We did a lot of kissing. It was a relationship. It wasn’t a weird sensationalized moment that was just for sweeps week. These two young women were really falling in love. Women tell me that it helped them figure out their sexuality.”
Her advice for young starlets entering the business:
“If I could tell young actresses anything, it would be to just be yourself through and through. I mean, really be hard-core about sticking to your identity, because what makes you unusual is what’s going to assure your success.”
On her divorce from Italian Prince and film director, Tao Ruspoli:
“(It was) the most difficult thing I’ve ever dealt with. I got married at a very young age, so I sort of jumped into a stage of adulthood prematurely. I learned quite a lot.”
The new issue of Allure hits newsstands September 20.
Labels:
Live Events,
Media,
Mobile,
Music,
News,
OE Work,
OgilvyEntertainment,
On Location,
Op-Ed,
Press,
Production,
Retail,
Social Media,
Sports,
Technology,
Tip of the Hat,
Top 10,
Transmedia
Subscribe to:
Posts (Atom)











