Friday, April 24, 2020
How This Painter’s Artful Pants Caught the Eye of Bella Hadid
When Bella Hadid wears your hand-painted pants, expect to garner some attention. Juliet Johnstone never intended to work in fashion, but shortly after the Los Angeles–based artist began experimenting with clothing, Hadid wore one of her pieces—and it ignited an instant craze for her work. “People went crazy—within five minutes, I had hundreds of messages,” Johnstone says. Before, Johnstone had been posting one pair of old Dickies or Carhartt pants decorated with hand-painted affirmations to Instagram. They’re free-spirited in feel and often say the words love or peace. In other words, the kind of pants that make you stop while scrolling. “It’s wearable art,” Johnstone says, adding that she has been creating these pieces while sheltering in place at her parents’ house in the Malibu area. “I moved my studio into their garage,” she says.
Johnstone originally studied to be a classic painter: She graduated from Parsons in 2017 with a fine-arts degree but found herself lacking inspiration and direction for her work. “I was working for a bunch of artists and doing the studio-assisting lifestyle, and I just felt really stuck,” she says. “I felt like this huge responsibility to be making hyper-conceptualized work.” Last year, around October, she began experimenting with painting onto trousers instead. “One day, I painted on my own painter’s pants because I ran out of canvas that day,” she says. “I wore them out, and people were asking me where I got them.”
Interest grew even further after Hadid posted an image of herself wearing them earlier this month. Hadid’s pair was in a khaki colorway, with hand-painted flowers and the words baby and love on them. Though the two have never met, Johnstone and Hadid have mutual friends: Johnstone also models on the side and is currently signed with the agency One Management in New York City. The artist sent Hadid her own pair this past Paris Fashion Week, after noticing the fellow model had begun liking a few of her pants posts. “I wasn’t really selling them that much then,” Johnstone says. “The demand hadn’t grown to what it is now.”
Johnstone says she gets inspiration for her designs from daily nature walks, vintage botanical books, and Japanese flowers, among other references. Her upbringing also lends to her ongoing creativity: Her father is a musician and part of Elton John’s band, and her childhood was often spent going on tour with the crew. “I would help out in the wardrobe department,” she says. “That was what I loved to do. Elton’s clothes brought happiness into the world, and his idea of fashion definitely influenced my own.”
Sustainability is also an important aspect of Johnson’s work. She only uses vintage or upcycled pants, and each pair is one of a kind; Johnstone herself mostly wears vintage. In the future, Johnstone is open to expanding her hand-painting onto vintage jackets or shirts—but amid the coronavirus pandemic, Johnstone says creating the pants brings joy to both herself and her customers, and that’s enough. “Painting flowers and butterflies—these things make me happy, and I think now, more than ever, we need breaks from what real life has become,” she says. “I realized that my role can be to give people a break, make people smile, and take these pressures away.”
Thursday, March 12, 2020
Adut Akech, Paloma Elsesser, and More on the Realities of Working as a Model Today
The image of the modeling industry often conflicts with its reality. Television, magazines, and social media have sold the idea of the glamorous, globe-trotting runway star, but few see the long hours and hard work that lead up to that. In this episode of Vogue’s model documentary series, the young women in front of the camera get real about how the business has shaped their lives. The distinction between fashion’s fictions and its truths can be challenging—especially when the job requires 24/7 commitment. “I think there’s a misconception where people think that modeling is just about looking beautiful or having a certain look that people like,” shared Adesuwa Aighewi during a candid moment at the Vogue offices. “[In actuality] you have to be your business manager, you have to be your PR. You have to be a therapist; you have to be your mom and your dad, your own life coach.”
The multiple roles models now have to juggle are due in part to the changing nature of celebrity. In an era of multitasking stars whose creative endeavors have become fully-fledged brands, it isn’t enough to score a big cover or work with a key photographer. Entrepreneurship has become the expectation and new models—many of them teenagers and twentysomethings—are tasked with building online followings, collaborating with fashion heavyweights, and becoming a living commodity. “It’s draining, emotionally, physically, and mentally,” says Adut Akech. “That’s the side people don’t see. They only get to see the glamorous bit of it.”
Even the moments of mystique are underpinned today by real-world concerns. A decade into the industry-wide sea change that pushed fashion to acknowledge issues like diversity and size inclusivity, the power of those shifts is still being felt, particularly by those seeing themselves reflected in media for the first time. “Working in an environment that is all about beauty and how you look obviously it shapes you a little bit,” shared Dutch model Jill Kortleve. “I’m 26 now, so when I was reading magazines [growing up], it was all the same type of girl; white, blonde, tall, skinny. I was the opposite of that so there was no representation at all. I thought that was the norm, but obviously now that it’s changed, now that I know it can be different I see that this should have happened way before.” The sentiment is echoed by Somali-American star Ugbad Abdi, who realized she could enter the industry upon seeing the success of fellow Muslim model Halima Aden. “It made me feel that because she was doing it, I could do it too,” she says. “My little sister is five years old, and she was watching me on YouTube [now] she says she wants to walk the runway because she saw herself in me.”
Above, eight of fashion’s most prominent faces get real about what it is to work in fashion, and how images resonate long after they appear in a magazine.
Director: Shaina Danziger
DP: Marcus Burnett
Audio Recordist: Ana M Fernandez
Editor: Victoria Mortati
Color: Jaime O’Bradovich at Company 3
Sound: Ric Schnupp
The multiple roles models now have to juggle are due in part to the changing nature of celebrity. In an era of multitasking stars whose creative endeavors have become fully-fledged brands, it isn’t enough to score a big cover or work with a key photographer. Entrepreneurship has become the expectation and new models—many of them teenagers and twentysomethings—are tasked with building online followings, collaborating with fashion heavyweights, and becoming a living commodity. “It’s draining, emotionally, physically, and mentally,” says Adut Akech. “That’s the side people don’t see. They only get to see the glamorous bit of it.”
Even the moments of mystique are underpinned today by real-world concerns. A decade into the industry-wide sea change that pushed fashion to acknowledge issues like diversity and size inclusivity, the power of those shifts is still being felt, particularly by those seeing themselves reflected in media for the first time. “Working in an environment that is all about beauty and how you look obviously it shapes you a little bit,” shared Dutch model Jill Kortleve. “I’m 26 now, so when I was reading magazines [growing up], it was all the same type of girl; white, blonde, tall, skinny. I was the opposite of that so there was no representation at all. I thought that was the norm, but obviously now that it’s changed, now that I know it can be different I see that this should have happened way before.” The sentiment is echoed by Somali-American star Ugbad Abdi, who realized she could enter the industry upon seeing the success of fellow Muslim model Halima Aden. “It made me feel that because she was doing it, I could do it too,” she says. “My little sister is five years old, and she was watching me on YouTube [now] she says she wants to walk the runway because she saw herself in me.”
Above, eight of fashion’s most prominent faces get real about what it is to work in fashion, and how images resonate long after they appear in a magazine.
Director: Shaina Danziger
DP: Marcus Burnett
Audio Recordist: Ana M Fernandez
Editor: Victoria Mortati
Color: Jaime O’Bradovich at Company 3
Sound: Ric Schnupp
Monday, January 20, 2020
Who Was the Fabulous Woman Who High-Kicked on the SAG Awards Carpet?
Amid all of the glitz and glamour on the step and repeat at tonight's SAG Awards, there was one star who approached red carpet posing a tad differently. Hollywood stuntwoman and actress Zoë Bell, who is from New Zealand, stole the spotlight when she performed an impressive high kick (in stilettos!) instead of a traditional hand-on-hip stance. The action film-worthy move had the paparazzi going wild.
Bell’s chic outfit certainly made enhanced the unexpected red carpet moment. She impressively flexed her fighting skills in a tasteful white wrap dress design by Leave Her Wilder, a bridesmaids and resort wear label. She accessorized it with gold jewelry by Cathy Pope Jewellery, a gold clutch, and clear PVC stiletto sandals that she, somehow, was able to kick well above her head.
You've likely seen Bell's work, even if you're unfamiliar with her name. She has appeared in many Quentin Tarantino’s films, most recently in Once Upon a Time ... In Hollywood. She also served as Uma Thurman’s stunt double in Kill Bill, and had a leading role in Tarantino’s film Death Proof (one of the best heroine roles in a Tarantino film, hands down). Her karate-worthy pose on the carpet tonight, however, cemented her status as one of the industry’s coolest chicks.
Monday, December 30, 2019
Katie Holmes’s Birthday Suit Includes Her Favorite Winter Coat
Yesterday, Katie Holmes celebrated her 41st birthday. The stylish actress marked the special day by taking to the streets of New York City—she is a true New Yorker, after all!—for what we hope was some shopping and celebrating. And for the occasion, Holmes chose one of her favorite winter coats to tackle Manhattan’s unexpected snow squall. (Seriously, watch the ominous time-lapse video of it.)
The star’s coat of the moment? That would be Max Mara’s teddy bear shearling coat. Holmes wore the luxurious faux fur style earlier this month with checkered pants and low-tops; yesterday, however, she really leaned into its warm, cozy factor with a matching hoodie and sweatpants set in gray. (Consider it a primer on how to dress up a sweatsuit in the city.) Her sleek leather tote, crisp white sneakers, large sunglasses, and refined beanie helped elevate the look. Holmes: 1. Winter: 0.
Friday, November 29, 2019
Kylie Jenner Upgrades Athleisure With Vintage Chanel
The billionaire beauty mogul Kylie Jenner has a knack for glittering up even the most “casual” fashion moments with designer gear. She recently posed for a few Insta snaps wearing some seriously fancy athleisure.
Jenner’s off-duty ensemble began with a classic pullover sweater, a rare vintage style by Chanel logo’d with lipstick and a compact. (A fitting motif for a beauty mogul.) Then, she added another athleisure staple—leggings—though hers were a more fashiony pair, complete with a split-open detail at the ankle, which showed off her white stiletto pumps. No comfy sneakers here!
To finish it off, she piled on luxurious accessories, such as her 2000s-esque Chanel sunglasses and a discreet Prada shoulder bag. Her ultimate accessory, though? That would be the sleek, expensive-looking silver car (one of many she owns).
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